I wrote a note about Thurber's considerable displeasure with the making of the film version, in connection with the obvious connection between the fable "The Unicorn in the Garden" and his other most memorable piece of short fiction, the altogether dazzling "The Catbird Seat" -- and I included a link to the complete text of "The Catbird Seat" online.
The opening of MGM's 1947 film The Secret Life of Walter Mitty, with Danny Kaye as the intrepid fantasist and Fay Bainter as Mrs. Mitty. Thurber, who was not a fan of the film, wrote in a 1949 letter: "The trouble with the Goldwyn picture was that you could see no difference between Walter's dreams and his accomplishments."
by Ken
"The Secret Life of Walter Mitty," which first appeared in The New Yorker of March 18, 1939 (and was subsequently collected in My World and Welcome to It and The Thurber Carnival), isn't anywhere near my favorite Thurber piece, but of course I love it. How could anyone not? I'm not sure Thurber ever reached more resolutely into readers' deep consciousness, nor have many other writers traveled there as confidently or fearlessly.
I've mentioned how disillusioned Thurber became during the writing of the screenplay for the film, which wound up being primarily a vehicle for Danny Kaye's broadest brand of humor (in the early stages of the project Thurber thought he might actually be a good piece of casting), a poor reflection of the author's funny and sad secret journey into these little-noted recesses of the quietly despairing everyday mind. But the film retained just enough contact to touch that secret place in a lot of moviegoers. Ta-pocketa-pocketa-pocketa.
TO ENTER "THE SECRET WORLD
OF WALTER MITTY," CLICK HERE
THURBER TONIGHT (including WOODY ALLEN, ROBERT BENCHLEY, BOB AND RAY, WILL CUPPY, WOLCOTT GIBBS, RING LARDNER, S. J. PERELMAN, JEAN SHEPHERD, and E. B. WHITE TONIGHT): Check out the series to date
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