Showing posts with label Municipal Art Society. Show all posts
Showing posts with label Municipal Art Society. Show all posts

Saturday, September 10, 2011

What are your thoughts on the eve of 9/11? The floor is open

Since March 11, 2002, the six-month anniversary of 9/11, presented jointly by New York's Municipal Art Society and Creative Time, MAS has annually presented the now-iconic Tribute in Light, which in the words of MAS President Vin Cipolla "has become an international symbol of remembrance and hope, honoring both the victims of the attacks and all those who worked tirelessly to help New York City through its greatest trial. It is a testament to the profound losses we suffered that day and to our city’s determination to persevere.” Now MAS is asking all of us to Help Guarantee the Future of Tribute in Light. (By the way, you can click on the photo to enlarge it.)

"While other comedians show us persons tormented by bad luck and enemies and so on, Bob and Ray's characters threaten to wreck themselves and their surroundings with their own stupidity. There is a refreshing and beautiful innocence in Bob's and Ray's humor.

"Man is not evil, they seem to say. He is simply too hilariously stupid to survive.

"And this I believe."

-- from Kurt Vonnegut Jr.'s Foreword to
Write If You Get Work: The Best of Bob & Ray

"There is nothing intelligent to say about a massacre."
-- from the first chapter of Vonnegut's Slaughterhouse-Five

by Ken

Is there anyone who hasn't thought so much about 9/11 over these ten years that there's hardly anything left to think?

Maybe that's why every path in my brain right now is leading me back to this lovely insight of Kurt Vonnegut's, which I shared last month ("Bob and Ray Tonight: Kurt Vonnegut Jr. remembers being interviewed for a job by the fellows"). And since Vonnegut surely knew way more than he wished about evil, I'm led to that line from Slaughterhouse-Five, that Vonneguttishly phantasmagoric novel set against the backdrop of the World War II fire-bombing of Dresden, a book I haven't read in a bunch of decades and undoubtedly need to read again.

I don't know that I would have planned any "activities" for the 9/11 anniversary. Luckily, the Municipal Art Society did my thinking for me, scheduling a rare members-only "walk around the World Trade Center site, "The World Trade Center: 10 Years Later." I know it's sold out, and guess it sold out pretty quickly. (As you know, when the new MAS tour schedule comes out, I stop everything and do my registrations for the tours that require reservations and squeeze the ones that don't into my schedule.) I love the plan:
We will survey the progress of the rebuilding, recount the history of the World Trade Center and of its neighborhood, and contemplate the future. The tour will not enter the site itself, which will be in the middle of intense preparations for the ceremonies of the following day, but we will be able to look down upon the site from a nearby vantage point. We will conclude the tour with a visit to a nearby rooftop for a discussion of the MAS Tribute in Light, which will be in the process of being readied for the following night.

And who better to lead the tour than architectural historian Francis Morrone, with whom -- in theless than a year since I joined MAS -- I've done more walking tours than I can remember, in three of the city's five boroughs, each of which left a powerful imprint on the way I see the world, a different kind of imprint in almost all cases. (For last weekend's "Dawn Powell and the Greenwich Village of Her Time," for example, never having read a word of Dawn Powell, I began reading the 1954 novel The Wicked Pavilion, which I've nearly finished -- and I've ordered the two Library of America volumes containing nine of her "bitterly satiric"novels and also the published Diaries of Dawn Powell, which Francis insists should be read "by everybody," for their bold and frank insight into, well, the complicated and messy process of everyday life. From the tour itself I got, as I expected, a particular and vivid connection to the geography and history of the Village.) Between Francis and the people who've registered for this evening's tour, I can't imagine better company for this grim 10th-anniversary lookback.

At some point, as I'm sure Kurt Vonnegut understood as well as anybody, that line between stupidity and evil gets blurred, as it did with Osama bin Laden and his followers (oh, they got themselves plenty of attention, but did they really imagine they were going to do their cause, whatever it was, any good? unless their goal was to cause disarray in the U.S. that would help send us down a path of self-destruction), and as it did with the apostles of American moronitude who used it as a tool for slathering their poisonous, delusional view of reality across a country that deserved better. But I don't know that there's anything new to say about any of that, anything that Howie and Noah and I and our large contingent of guest posters and of course commenters haven't been saying here for years.

What I'm thinking now, perhaps inspired by the lively discussion I was delighted to see sprout from my post last night, "Is anyone listening to President Obama anymore? (How about President Obama?)," I'm wondering what readers are thinking on this doleful occasion. The floor is open.


URBAN GADABOUT REMINDER: JAMES RENNER'S SERIES
OF NORTHERN MANHATTAN WALKS STARTS TOMORROW


For six Sundays at noon, starting tomorrow and running through October 16, the official historian of Manhattan Community District 12 is offering walking tours of selected locations in "WAHI," the Northern Manhattan neighborhoods of Washington Heights and Inwood, plus little Marble Hill, which on maps looks like it should be part of the Bronx but is actually part of Manhattan. (I listed the subjects of the individual tours in my last post on the subject.)
Sunday, September 11, 2011, 12:00 noon
JUMEL TERRACE HISTORIC DISTRICT & SUGAR HILL


JUMEL TERRACE HISTORIC DISTRICT & SUGAR HILL are noted for the Morris-Jumel Mansion, Sylvan Terrace and the moes of famous African American entertainers Paul Robeson, Count Basie and Duke Ellington at 555 Edgecombe Avenue. The area is home to a local bookstore and the Washington Heights branch of the New York Public Library. Nearby Coogan's Bluff is where baseball fans watched the New York Giants play at the Polo Grounds at 155th Street.

There is an admission fee to the Morris-Jumel Mansion; $5 for adults, $4 for seniors and students.

DATE: Sunday, September 11, 2011
TIME: 12:00 noon
MEET: 160th Street and St. Nicholas Avenue in front of the Library

I've been grappling with scheduling conflicts for a number of the six WAHI tours (which are $15, $10 for seniors and students) but have managed to keep tomorrow clear for this one, which syncs wondefully with the free "Highbridge Park Hike" -- essentially along the upper edge of Coogan's Bluff -- I did in July with expert urban geologist Sidney Horenstein. We started that walk at the lower edge of the park (and the bluff), on 155th Street opposite the northern edge of the famous northern Harlem enclave of Sugar Hill.
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Thursday, August 25, 2011

Two updates: (1) The GOP presidential field -- very funny! (2) Fall NYC tours -- breaking news!

(1) THE GOP FRONT-RUNNERS IMAGINED AS CHARACTERS FROM THE SIMPSONS



[Don't forget to click to enlarge.]


Is this brilliant or what? It's by Rob Tornoe, whose work I was unfamiliar with.





(2) NYC TOUR UPDATES -- BREAKING NEWS!



As I wrote Sunday, given how perilously close we're getting to September, the new tour schedules of the Municipal Art Society had to be released momentarily, and now they have been, more or less. I've done some difficult triage and filled in a lot of my fall calendar.



NEW YORK TRANSIT MUSEUM



Again as I wrote Sunday:
In the case of the Transit Museum, the smartest thing you can do for now is to become a member. While it's technically true that very few of its tour offerings require you to be a museum member, in fact members take such advantage not just of the lower members' price but of the early registration period that it's awfully hard to squeeze onto most of the tour lists if you aren't a member.


Members have now received the full fall tour schedule, and the members-only early registration period is set for August 31-September 8, and this time it's going to be doable online as well as by phone. (I've got my sights set on four tours.)



I assume there will be a general announcement of the tour list shortly. I don't feel at liberty to pass on what we've been told, except to note that the cutthroat competition for tour slots should be eased with all of the fall regular tours offered at least in duplicate, and some of the likely most popular ones being offered even more frequently. There is, by the way, another one of the Transit Museum's famous Nostalgia Tours, scheduled for late October.



My advice still is to join immediately, and ask to have the tour list sent to you if it's still not posted.



MUNICIPAL ART SOCIETY

The September and October listings are now up on the "Tours" page of the MAS website, and there's lots of exciting stuff. I'm conflicted out of a couple I would have loved to do: The Architecture of Literacy: University Heights, the Bronx (Saturday, September 17, 11am, with Jean Arrington), Arts for Transit: Brighton Line (Sunday, October 2, 11am, with Amy Hausmann, registration required -- when I moved to NYC at age 12, the Brighton line from Brooklyn was my lifeline to "the City," as I learned to refer to Manhattan), and Crown Heights North (Sunday, October 16, 11am, with Suzanne Spellen and Morgan Munsey, with whom I did an MAS tour of sections of Bedford-Stuyvesant a month or two ago -- unfortunately that's the day of my Working Harbor Committe Circumnavigation of Staten Island, also mentioned in my Sunday post).



However, in a frenzy of excitement I've already registered for seven tours. Except as noted, the tours are all still $10 for members, $15 for nonmembers.



Dawn Powell and the Greenwich Village of Her Time. Sunday, September 4, 2pm, with Francis Morrone

The World Trade Center: 10 Years Later. On the eve of the anniversary, Saturday, September 10, 6pm, with Francis Morrone, $20

The Architecture of the Garment District. Tuesday, September 20, 5:30pm, with Andrew Dolkart

Starchitecture NYC, 2011, "a concentrated three-hour tour via small motor coach and on foot of some of the city's most talked-about buildings, structures, and spaces," Saturday, September 24, 10am, with Matt Postal (also offered Saturday, October 15 -- I think! the schedule says "Sunday, October 15), $49 for members, $55 for nonmembers

East Village III: The Bowery, the third in a series of East Village tours Francis Morrone is leading. Sunday, October 9, 2pm

Chinatown-Little Italy Historic District. Saturday, October 22, 11am, with Kerri Mulhane



Then there are a bunch of tours offered on a walk-up basis (as I've mentioned, tours director Tamara Coombs likes offering the tours in both formats, to accommodate the widest range of potential tour-walkers) which I've inscribed on my calendar:



Sixth Avenue and the 1961 Code Revisited, the first of two walks looking at the wave of high-rise construction that was build in accordance with the major changes in the code implemented in 1961 (Sunday, September 18, 11am, with Matt Postal)

Battery Park City Evolving, "love it or hate it," focusing on the northern section. Sunday, September 25, 4pm, with Francis Morrone

Catalysts for Change: East Midtown and the 1961 Code, the East Side continuation of Matt Postal's Sixth Avenue walk above (September 18). Saturday, October 1, 11am

Forest Hills: Garden City in the City. Sunday, October 23, 2pm, with Francis Morrone

Downtown's Forgotten Neighborhood, the immigrant-rich "Lower West Side" that remained a multicultural hotbed until it was largely displaced by the World Trade Center. Saturday, October 29, 11am, with Joe Svehlak ("whose family settled here in the early 1900s")



There are also a pair of "Beyond Sight" tours specifically conceived for people with visual impairments (though open to others), stressing "visual description and multi-sensory exploration," led by art historian Sylvia Laudien-Meo (reservations required for both): Grand Central Terminal, September 3, 11am, and The September 11 & Irish Hunger Memorials, October 20, 12n.



And a tour of a project that was never built --



I'm also delighted to see that Matt Postal is once again doing what was my first MAS tour (only last fall!), one I talk about all the time: LOMEX Remembered (Thursday, September 15, 5:30pm) -- a tour of a project that was never built (!), Robert Moses's planned Lower Manhattan Expressway, when a local community threatened with destruction discovered that it could too fight City Hall, in a long series of battles (Moses didn't give up easily; every time the opponents thought they had thwarted the project, he came back with a revised plan and they had to start all over) in which Jane Jacobs's name was heard for the first time.



I STILL HAVE TO WRITE ABOUT THOSE "WAHI" TOURS



It's a series of six, covering areas of Washington Heights, Inwood, and Marble Hill, being offered Sundays at noon from September 11 to October 16 by Northern Manhattan historian James Renner, author -- by strange coincidence -- of the book Washington Heights, Inwood, and Marble Hill (Arcadia Publishing; I've ordered my copy!) and the official historian of Community District 12 Manhattan. Again, you'll find the schedule here, and the tours are $15, $10 for students and seniors.



I'm sorry to say that after the triage with the NYTM and MAS schedules, plus other tour plans (like, again the Staten Island circumnavigation, which I have no intention of missing!), I'm probably only going to be able to make two of the six, but they're two I'm especially eager for: Jumel Terrace Historic District & Sugar Hill (Washington Heights and Harlem, the first of the series, September 11) and Sherman Creek (Inwood, October 2). I'm hoping that the book will help me plug some of those gaps. And of course I assume James will be offering more tours in the future.

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Sunday, August 21, 2011

While we wait for tour announcements from MAS and the NY Transit Museum, here are some upcoming NY area tours for your schedule

I was really looking forward to this morning's MAS walking tour of Manhattan's Lower East Side, but no, I was still struggling with my Sunday Classics post on Andrea Chénier. Oh well.



by Ken



I've recovered my wits a bit since the post I wrote last night upon return from the New York Transit Museum's subway-and-bus Nostalgia Tour to the Rockaways, and I want to add some information.



First, while I focused on NYTM and Municipal Art Society (MAS) tours, anyone who clicked through to the respective websites would have found the tour cupboards pretty bare. (Well, MAS had an awfully interesting-looking walking tour of Manhattan's Lower East Side scheduled for this morning, but I had to blow that off because I was doing battle with Andrea Chénier.) I should have mentioned that both NYTM and MAS are presumably days if not hours away from announcing schedules that cover September and beyond.



I've been checking the MAS website daily. Oh, even the tours that require preregistration won't sell out that quickly, but I'm kind of out of my mind with excitement to see what MAS's Tamara Coombs has cooked up for us. And for your planning purposes, it's wise to assume that the tours that do require preregistration will sell out well before the tour date. The prices are ridiculous for tours of this quality -- as of the summer offerings, still $10 for members and $15 for nonmembers for most tours. (Longer tours or more elaborate tours are priced higher.)



In the case of the Transit Museum, the smartest thing you can do for now is to become a member. While it's technically true that very few of its tour offerings require you to be a museum member, in fact members take such advantage not just of the lower members' price but of the early registration period that it's awfully hard to squeeze onto most of the tour lists if you aren't a member. I can't wait to see what Luz has cooked up for us, and assuming I have the information in time, I plan to do what I did this summer: call in with my request list as early as possible the morning of the start of the registration period!





WORKING HARBOR TOURS



In July I wrote with great excitement about the first of three Hidden Harbors Tours I was doing, arranged jointly by the Working Harbor Committee (WHC) and Circle Line Downtown, this one through the Kill Van Kull, which separates the west of Staten Island from New Jersey, to exotic Newark Bay. The trip was fantastic! Since then I've also done "The Brooklyn Tour," which took us up the East River to the junction of Newtown Creek, then close along the Brooklyn waterfront until we swung across New York Harbor past Staten Island to the opening of the Kill Van Kull and the New Jersey shore, then past the Statue of Liberty and back to the Fulton Street pier. We did much of the trip with lightning flashing, and then a wild thunderstorm broke out just as we passed the Battery for the short trip back to the pier -- it's a shame they can't plan on including this effect all the time!



I mention them now because both "The Newark Bay Tour" (September 13) and "The Brooklyn Tour" (September 27) have one more incarnation coming up for the current season, while the final offering of "The North River Tour" (i.e., the Hudson River, formerly known as the North River), which I haven't done yet, is this Tuesday, August 23. I bought all my tickets online; there's a discount for WHC members.





CIRCUMNAVIGATION OF STATEN ISLAND



For all the tours, the WHC's Captain John provides running commentary along with a guest for the particular tour. One event he has talked about on both the tours I've taken is a circumnavigation of Staten Island, for which the date has finally been announced -- Sunday, October 16 -- and ticket sales begun. A planned WHC Lighthouse Tour sold out before I had a chance to book it, so I wouldn't wait on this one. (As a matter of fact, I didn't!)





FIVE WALKING TOURS OF NORTHERN MANHATTAN



I also wanted to report on an exciting series of "WAHI Tours" of Northern Manhattan being offered Sundays at noon from September 11 through October 16 by James Renner, author of Washington Heights, Inwood, and Marble Hill (Arcadia Publishing; I haven't had a chance to get my copy yet!), and the official Community District 12 Manhattan historian -- priced at $15 for adults, $10 for seniors and students. I'll write more about them soon.

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Saturday, August 20, 2011

Urban Gadabout: A year later, I finally made it to the Rockaways Nostalgia Tour

1) Great Kills, 2) Miller Field, 3) Fort Wadsworth, 4) Canarsie Pier, 5) Jamaica Bay Wildlife Refuge, 6) Floyd Bennett Field, 7) Jacob Riis Park, 8) Fort Tilden, 9) Breezy Point 10) Sandy Hook, 11) Fort Hancock



by Ken



It was full circle for me today, participating in the New York Transit Museum's final Nostalgia Tour of the summer, to the Rockaways -- not so much because I participated in all three of the summer's Nostalgia Tours (the previous ones were to Woodlawn Cemetery in the Bronx and Coney Island in Brooklyn), not to mention a slew of other NYTM tours over the last year, bt because it has been a year. It was last summer around this time that I took advantage of a half-price offer for NYTM membership just in time, I thought, to go on its first-ever combined subway-and-bus Nostalgia Tour -- taking a train of vintage cars as far as the subway will take you on the Rockaway peninsula, to Rockaway Park, and then piling onto vintage buses for the additional journey farther west, beyond the residentially settled area of Rockaway to Jacob Riis Park, yet another Robert Moses creation of the '30s.



The problem was last year that I hadn't booked ahead, but knew that there was space on a walk-up basis, but didn't know that they weren't taking credit cards. I had meant to stop at an ATM en route to the Transit Museum that morning, but I was worried that I was running behind time-wise. As it turned out, I arrived in plenty of time, and waited in a long line, only to find out that no, they were taking cash only. Somebody said something about a bank nearby, but I couldn't rally myself.



An inauspicious beginning, but when the next batch of tours was announced, I took advantage of the week's advance reservation period for members, and began a year of discovery, fascination, and wonder in, literally, all five boroughs of New York City. It's a city I've lived in since I was 12 (no, I'm not going to tell you how many years ago that was, but it's a lot, though still on this side of



Via Transit Museum tours I've seen things I literally couldn't have seen any other way: the Coney Island subway repair center and signal tower; behind-the-scenes Penn Station including its ultra-secure command station; the inside of the awaiting-development Farley Post Office. Some of these are things we probably still should talk about. And there were a host of others, thanks to Luz, the indefatigable director of NYTM's tours.



Perhaps the most profound impact was from the tour that introduced me to "urban geographer" Jack Eichenbaum (the Queens borough historian), who took us to and through three subway "nodes," places where two or more separate subway lines intersect -- the ultimate node, Times Square in Manhattan, plus Queens Plaza and Jackson Heights in Queens -- and showed us how the intersection of those subway lines shaped the subsequent development of the areas. It set me on a whole other way of thinking about, well, places. After all, every place where there's human habitation exists where it does for a set of specific reasons.



That has changed my life, and since then I've seized a bunch of opportunities to take tours with Jack which aren't like anybody else's, always showing us places that hardly any other tour leader would think to show people. (I would have to single out the all-day tour of the No. 7 line to Flushing, Queens.) But my life was also changed by a tip Jack gave us: about the Municipal Art Society. I'm embarrassed to say that all these decades it was just a name to me, and I assumed it had nothing to do with me, since I am not what you would call an "art person." But MAS's concern is the municipal art, the art of making a more livable city, and as I've written here, MAS tours have become inextricably with my week-to-week life -- there have been a bunch of weeks when I've done MAS tours back-to-back on Saturday and Sunday.



I would be tempted by pretty much any tour announced to be led by my MAS standbys: Jack Eichenbaum, of course, and the more architecturally oriented Matt Postal and Francis Morrone, and the boundless-spirited and inexhaustibly knowledgeable Justin Ferate. I've been to bunches of places on Staten Island with Justin and Francis (and the MAS's equally indefatigable tour director, Tamara Coombs, who's a Staten Islander herself), where I'd previously hardly ventured beyond the St. George ferry terminal; and lots of places in Brooklyn with Francis and Matt, and learned to look at Manhattan skyscrapers a whole other way with Matt, and . . . well, I could go on and on, but I won't. ditto with all the other tours I've found my way to. It's been quite a year! (Oh yes, when I got a renewal notice from the Transit Museum, I sent my check in that very day.)



I'll just say that Rockaway was a blast today, and it was especially interesting wading in the surf -- real surf, since this is open ocean, in contrast with the beach at Coney Island, which as Joe Svehlak had just pointed out to us in an MAS tour of Coney Island, has the protection of being inside the Lower Bay of New York Harbor. You see how these things all fit together? One of the things I've written about here most often is my fascination with New York as a coastal city, a major harbor.



I know I'm babbling, and have left out all sorts of points I planned to make. But it's been a long day!

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Friday, August 5, 2011

Urban Gadabout: On the waterfront -- two interesting-looking MAS tours, provided the weather cooperates

Aerial view of Governors Island, off the southern tip of Manhattan
(with the Brooklyn waterfront off to the right)

by Ken

Rain, rain, stay away!

For this weekend I've had a couple of Municipal Art Society walking tours penciled in all summer, and as the dates approach I've grown more and more enthusiastic. The only problem: The weather forecast for the weekend is lousy, with talk of thundershowers both afternoons. Some other time I want to write about the weather factor, something that's obviously wholly beyond the control of tour planners and leaders and yet has so much to do with the success of the walk out come -- not to mention whether there actually is a walk.

But for now I'm hopeful about this weekend's MAS offerings: "Governors Island: Heart of the Harbor," Saturday at 11:45am (meet at the bike rack to the west of the Battery Maritime Building); and "Coney Island: What's Next?," Sunday at 10:30am (meet in Coney Island outside the Stillwell Avenue subway station, on the northeast corner of Stillwell and Surf Avenues).

I should go back to that point I made about having these tours "penciled in." MAS schedules its walking tours in two different configurations. Some are booked ahead, by advance (paid) registration; others are offered strictly on a walk-up basis. The idea is to accommodate different kinds of tour-takers, and to make sure that even when the advance-registration tours sell out, as they usually do, there are still tours available on a walk-up basis for people who don't like, or weren't able, to book the other kind. And it happens that both of these MAS tours are of the walk-up variety, which is why I've only had them "penciled in."

Turnout for the MAS walk-up tours is of course wildly unpredictable. On a nice day, turnout may be massive. On a miserable day, it can get mighty lonely. It's only in extreme weather situations that a tour is canceled. (I'm keeping the "hot line" number, 212-453-0050, handy.)

GOVERNORS ISLAND
Saturday, August 6, 11:45 a.m.-2:00 p.m.
Governors Island: Heart of the Harbor
Governors Island offers a singular vantage point from which to see the last 200 years of the life of New York Harbor and a glimpse into the next 200. Join us for a look at the island of today as well as the opposing waterfronts of tomorrow. We’ll also take in the award-winning Harbor School and discuss the opportunities and challenges the island offers as it enters its new life as a public space.
Tour Leader: Carter Craft, civic activist and a leading waterfront planner.
Meet at: The bike rack to the West of the Battery Maritime Building.
Cost of Tour: $15, $10 MAS members. Pay at tour.

The reason I've been getting more excited about this tour is that I did some online investigation of tour leader Carter Craft, who was formerly program director of the Metropolitan Waterfront Alliance, which was founded in 1999 as an initiative of . . . the Municipal Art Society (!), and then in 2007 was spun off as an independent entity. Carter has carved out a career for himself as a "waterfront planner."

In July-August 2007 he fielded three days' worth of waterfront-related questions from readers of the New York Times's City Room blog, and he's written a slew of column features for Gotham Gazette, among a help of readily available online writings. Of particular interest to me was a piece he did for UrbanOmnibus last summer previewing the Museum of Modern Art's "Rising Currents" exhibition, which (the introduction explained) would "display the design schemes of five interdisciplinary teams, charged with re-envisioning 'the coastlines of New York and New Jersey around New York Harbor and [imagining] new ways to occupy the harbor itself with adaptive "soft" infrastructures that are sympathetic to the needs of a sound ecology,'” obviously with reference to the expected rise of water levels in the harbor. If you look at Governors Island, just off the southern tip of Manhattan (I reported on my first trip there, in 2006 and returned just a couple of weeks ago, taking advantage of the free ferry service provided all summer), it looks like the damned place is maybe a few inches above the water.

CONEY ISLAND
Sunday, August 7, 10:30 a.m.
Coney Island: What’s Next?
As we explore America’s first great seaside resort, we’ll look for remnants of Coney Island’s “honky-tonk” past, when as many as a million people would visit “Sodom by the Sea” on a hot summer day. View Nathan’s Famous, the popular ballpark, the new amusements, the historic rides and enjoy the boardwalk as we discuss the struggle to designate landmarks and the future of the fabled resort.
Tour Leader: Joe Svehlak, urban historian.
Transit: D, F, N, or Q Trains to Coney Island.
Meet at: Outside the Coney Island/Stillwell Ave. subway station at the N.E. corner of Stillwell and Surf avenues.
Cost of Tour: $15, $10 MAS members. Pay at tour. If you want to go for a swim with Joe after the tour, wear your bathing suit!

As for Coney Island, I was just there for the second of the New York Transit Museum's three Nostalgia Ride days (there's one still to come, on August 20, using vintage subway cars and buses, to the Rockaways), and was happy to have a tour of the rebuilt Stillwell Avenue station (opened in 2005), which services four separate subway lines. And I was surprised to see that there have been other changes -- for better and worse. I'm ready for a proper onsite update.

Weather permitting.

The rebuilt Stillwell Avenue station at Coney Island,
where four subway lines come together
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Friday, June 24, 2011

Urban Gadabout: To the end of the island (Staten) -- I'm headed back to Tottenville (weather permitting)

If you look out onto the water from Conference House Park in Tottenville, at the southern tip of Staten Island, you can imagine you're looking onto the open Atlantic Ocean, but off to the east skinny Sandy Hook juts northward from the Monmouth County shoreline, forming the eastern boundary of Raritan Bay. (For a larger view, click on the map.)

by Ken

If you don't have anything planned tomorrow between noon and 5pm, plus whatever travel time it would take you to get to Tottenville, at the southern tip of State Island, why not hie on down for the Second Annual Raritan Bay Festival?

It's going to be quite a schlepp for me from the northern reaches of Manhattan -- upwards of three hours if I do it the cheap way, by subway to South Ferry, Staten Island Ferry to St. George, the full length of the Staten Island Railway to Tottenville, then a 15-minute walk to the Conference House Park Visitors Center at Hyland Boulevard and Satterlee Street. I can cut a chunk of time off if instead I catch the X-1 express bus from Lower Manhattan across the Verrazanno Narrows Bridge, connecting with the S78 bus on Hylan Boulevard virtually to within a block of the Visitors Center, but I have to be prepared to spend the $5.50 express-bus fare.
THE "CONFERENCE" IN THE CONFERENCE HOUSE

A conference took place there on Sept. 11, 1776, in the hope of resolving the unpleasantness (you may have heard of it -- the American Revolutionary War) between the newly-declared-independent Americans and their erstwhile colonial masters, the British. The Americans were represented by Benjamin Franklin, John Adams, and Edward Rutledge; the British, by their military commander in America, Admiral Lord Richard Howe, who was then occupying the house of Col. Christopher Billopp, which had been built in 1680 by his grandfather, British naval Capt. Christopher Billopp. (That's a reenactment in the photo, not the original event!) The conference doesn't seem to have accomplished anything. After the war, the actively Tory Billopp family was stripped of its properties.

Actually, I'm kind of looking forward to doing the walk between the SIR station and Conference House Park in at least one direction, which will be retreading old ground, from a Municipal Art Society walking tour to Tottenville led by the inexhaustibly knowledgeable Justin Ferate, on which we actually got to the Pavilion in Conference House Park, and also in the course of our tour visited a stunning private home where we got to meet a special guest, the preeminent historian of State Island, Barnett Shepherd, author of the 2010-published Tottenville: The Town the Oyster Built, published by the Tottenville Historical Society. (To put it another way, or maybe more or less the same way, the town was built on, and prospered from, the rich harvest of oysters in surrounding waters in the 19th century, until pollution put an end to its oyster trade.) Barnett had had quite a schlepp himself -- from the other side of the island, we were told, on an island that developed as a plethora of separate communities, where it's frequently not so easy to get from there to here.

On the May MAS Tottenville walking tour we made it to the Pavilion in Conference House Park at the southern edge of Staten Island, with a view across the Arthur Kill (separating Staten Island and New Jersey) of Perth Amboy, NJ.

The one downside to that trip was the weather, which was mostly rotten. By the time we got to Conference House Park, the overcast and mist were so heavy that, while we could see across the Arthur Kill, which separates Staten Island from the North American mainland, to picturesque Perth Amboy, NJ, we couldn't see much else, and it wasn't exactly an ideal day for exploring the shorefront.

A ferry used to join Tottenville to Perth Amboy, nestled between the Arthur Kill and the Raritan River ("perhaps the major drainage channel along the ice front throughout the Wisconsin glaciation," according to Wikipedia) Now they're linked by the Outerbridge Crossing, whose name derives not from a geographical description, as most of us initially suppose, but from Staten Island resident Eugenius Harvey Outerbridge, the first chairman of the Port of New York Authority. It's called "crossing," it was explained to us, because how goofy would "Outerbridge Bridge" sound? There are decent views of the bridge from the Tottenville railway station, by the way.

The Outerbridge Crossing over Arthur Kill, from Tottenville

For tomorrow the Conference House Park Conservancy is promising 45-minute shoreline walking tours (hourly, at 12:30, 1:30, 2:30, and 3:30) plus "local musicians on two stages, crafts, exhibitions from maritime organizations and historic societies, and plenty of entertainment for children, including a petting zoo and water rides."

Provided the weather cooperates, of course. I mean, I've already seen the view from the Conference House Park in crappy weather, and it's not worth six hours' combined travel time for that again! (At the moment, NY1.org is holding out: "Morning clouds/fog. Partly sunny in the afternoon. Spot thunderstorms." Uh-oh.)

An aerial view of the Pavilion in Conference House Park
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Monday, June 13, 2011

Urban Gadabout: Two toxic-waterway tours in a single week -- does it get any better?

Scenic Superfund site: Brooklyn's Gowanus Canal

by Ken

The tease on the contents page of this week's Time Out New York got me: "Explore Newtown Creek and Gowanus Canal, two of NYC's Superfund wonders." I confess that both of these industriaily befouled NYC waterways have fascinated me for ages, and I've become increasingly curious about having more or less direct contact with me.

Newtown Creek is the western segment of the boundary between the borough of Queens to the north and Brooklyn (which is Kings County, of course) to the south. Gowanus Canal is the man-expanded expansion of a onetime tidal inlet which links the onetime industrial heartland of central Brooklyn to Upper New York Bay. Both are massively polluted, and have been anointed Superfund sites, though it's my understanding that so little action is being taken on so many sites ahead of them on the list that one might not want to hold one's breath till the fund gets to them. One might, however, wish to hold one's breath around them for other reasons.

There has been increasing attention paid, and actual visitation, to both. Hence my response to the TONY tease. But imagine my horror when I thumbed ahead and found an entire magazine page devoted to a pair of events dedicated to these woebegone waterways, and it turned out that the events in questions are tours offered by the Municipal Art Society (MAS; the website is an incredibly easy-to-remember mas.org), which I already have marked as "must do"s on my calendar:

* Crossing Newtown Creek, this Wednesday evening (June 15), led by one of my most valued tour leaders, urban geographer (and Queens borough historian) Jack Eichenbaum.

* Brooklyn's Gowanus Canal, this coming Sunday (June 19), led by MAS mainstay Matt Postal, an architectural historian with whom i've done countless tours, most recently day before yesterday: a tour of the skyscrapers of Park Avenue (starring Lever House and the Seagram Building, of course).

Now I hope it's blindingly clear that the horror to which I referred above is no reflection on the tours themselves. Let me stress that it would take some sort of personal crisis or mighty extreme weather (of the kind that would probably cause tour cancellation anyway), to keep me away from either of these tours. No, the horror is purely selfish. I'm just concerned about the effect this outstanding (and well-deserved) advance publicity is going to have on attendance.

You have to understand that the Municipal Art Society organizes its walking tours around the city, which it's been doing for 55 years now, in two ways -- some by advance reservation and payment, some by and pay-at-tour walkup. I have a personal fondness for the preregistered tours, which (1) put a cap on the number of registrants and also let me assure my place. In the mere eight months I've been a member (and it was, as I've mentioned, Jack Eichenbaum who first clued me in to MAS, when I did a sensational New York Transit Museum tour with him visiting three NYC subway nodes, which is to say places where two or more separate subway lines intersect, and seeing how being a transit hub has shaped those areas' development), I've learned to haunt the MAS website as the time approaches for announcement of the next two- or three-month bloc of scheduled tours, and to pounce on it and do a slew of online registrations.
HAVE I MENTIONED THAT THE STANDARD PRICE . . .

. . . for MAS tours is a paltry $10 for members and $15 for nonmembers? Longer tours are priced accordingly. For example, this Saturday (June 18) I'm doing a half-day visit to Staten Island's Stapleton Heights with the amazingly well-informed and informative urban historian Justin Ferate, with whom I did a truly memorable most-of-the day tour last month to Tottenville, the southern tip of Staten Island. The Stapleton Heights tour, which is by reservation, and for which I think there may still be places available, is $20 for members, $25 for nonmembers.

By the way, an MAS individual membership is only $50, and benefits include a chit for a free nonreserved tour.

Speaking of the nonreserved tours, I've done plenty of them in my eight months too. The thing is, if the weather is good, and especially if the tour has been picked up by one of the big-reach media outlets -- I sometimes wonder how many zillions of people who just don't know about these tours, the way I didn't for so long, would show up if they knew about them -- the group can get pretty large. (Sometimes there's simply no explaining why people do or don't come out. In March I did a tour of Brooklyn's Crown Heights North with Matt Postal, who's doing the Gowanus Canal tour, on a not especially pleasant-looking Saturday, a tour that Matt indicated hadn't gotten much media notice, and the turnout was huge. Fortunately, Matt is extremely good with large groups, keeping them organized and in good hearing range.) It's another mark of what a bad person I am that after the big TONY spread, maybe the weather won't be so great Wednesday evening and Sunday morning.
AS IT HAPPENS, I'VE ALREADY MISSED THE
"CROSSING NEWTOWN CREEK" TOUR ONCE


We'll actually be crossing the Pulaski Bridge from (r to l)
Greenpoint, Brooklyn, to Long Island City, Queens.

It was in early November, not long after my Transit Museum tour with Jack Eichenbaum, and I had joined MAS and gotten my free-tour chit in time to make this my first MAS tour. What's more, I even worked out the formidable transit logistics of getting from the way north of Manhattan to Greenpoint, Brooklyn, and arrived at the tour location what I considered a perfect 15 minutes ahead of the scheduled start time. Or it would have been if the tour was Sunday, when I arrived. Unfortunately, it was Saturday, so instead of being early, I was 24 hours late, or maybe 23 hours and 45 minutes.

(And wouldn't you know, there are not one but two other events Wednesday night that I dearly want to do, one of them a class I had previously scheduled and had to cancel when for medical reasons, the other something that's not likely to be repeated this year. I spent a couple of weeks going back and forth between them, even trying to figure out whether I could attempt to do both, which fortunately prevented me from registering for either, whenl I finally looked at the calendar and realized it's the same night as "Crossing Newtown Creek.")

As it worked out, my actual first MAS tour, later in November, was one with Matt Postal, and as I think I've mentioned here, it's still perhaps my favorite from a conceptual standpoint: a walk along the route of Robert Moses's never-built Lower Manhattan Expressway.

For those who are curious about what TONY dubbed "Postindustrial waterfront tours," for each, writer Andrew Frisciano begins with sections on "Where it is," "The history," and "How polluted is it?"

NEWTOWN CREEK
Wednesday, June 15, 6pm-8pm
Will hanging out there kill you? Probably not, although small amounts of harmful vapors have been detected. “When you get down to the water’s edge, the creek itself is pretty dismal,” says Eichenbaum. “But it’s not completely dead -- I’ve seen cormorants sitting on the side of Newtown Creek. They dive for fish, so there have to be some there.”

What you’ll see on the tour: Eichenbaum will stop at the nature trail that surrounds NCWTP [the Newtown Creek Water Treatment Plant]: The walkway, lined with sculpted concrete walls and native plants, features an amphitheater-like area for admiring the water. “Once you’re down at the creek level, the city opens up and becomes a much more horizontal landscape,” he says. The tour also visits the Pulaski Bridge to visit Long Island City’s Gantry Plaza State Park, which sits next to a cluster of shiny new condos. “You’re seeing resurgence in all kinds of industrial neighborhoods,” says Eichenbaum. “The artistic community has found new niches in these places.”

Check it out! Crossing Newtown Creek walking tour; meet at northeast corner of Greenpoint and Manhattan Aves, Greenpoint, Brooklyn.

GOWANUS CANAL
Sunday, June 19, 11am-1pm
Will hanging out there kill you? No, but you’ll probably get a whiff of something gross. “I notice [the smell] around Union Street or Butler Street,” says Postal. “There’s nowhere for it to go.” In 1999, the city repaired a flushing tunnel, which brings fresh water into the canal, to help ameliorate the stench. “There’s no question that it’s better than it was ten years ago,” says Postal. Plus, a recent study turned up an array of fish and even crabs -- though eating them isn’t advised.

What you’ll see on the tour: Postal will point out historic landmarks, including the retractable Carroll Street Bridge, built in 1889 and still functional today. He’s also interested in how the neighborhood’s residents interact with the canal’s industrial origins; off-the-grid types have built homes on the canal, while creative spaces embrace the canal’s less-than-pleasant past. “Proteus Gowanus [a stop on the tour] has an area of their building called Hall of the Gowanus, which is a kind of artistic response to the history of the area,” Postal says.


Check it out! Brooklyn’s Gowanus Canal walking tour; meet at northwest corner of President and Smith Sts, Carroll Gardens, Brooklyn.
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